Saturday, September 14, 2013


Emily Neeleman

Monroe

ENG 326.01

September 2, 2013

 “Dora Learns to Write and in the Process Encounters Punctuation”

            I recently applied for a job at the writing center here on campus. We had a workshop last week that covered some of the basics of being a tutor and evaluating someone’s writing. One fundamental they emphasized is leading the writer in the right direction, rather than telling them exactly what to do. If we told the writers what to do, they could never apply the rule by themselves in an effective way. Dora’s teacher applies this same concept when teaching her how to correctly use periods. She does not simply tell Dora the rule of periods and expect her to automatically apply that rule in her writing. Instead, she allows Dora to struggle a little bit while she plays around with period placement. The teacher allows the class to play around with their writing because it’s theirs; she doesn’t take over their writing. She also has Dora read aloud what she thinks the story should sound like. I think this is a very effective way to teach period placement; Dora naturally heard the syntax in her writing when she strategically dropped her voice at the end of a clause. TEACHING STUDENTS TO EXPLORE PERIOD PLACEMENT THROUGH WRITING AND SPEECH IS AN EFFECTIVE WAY TO TEACH PERIOD PLACEMENT; DORA NATURALLY HEARD THE SYNTAX IN HER WRITING WHEN SHE STRATEGICALLY DROPPED HER VOICE AT THE END OF A CLAUSE. [S-V-O] While this was not the correct place for a period, she was beginning to understand where periods go through sounds. ALTHOUGH DORA DID NOT PUT HER PERIOD IN THE CORRECT PLACEMENT, SHE WAS BEGINNING TO UNDERSTAND WHERE PERIODS GO THROUGH SOUNDS. [S-V-O] This is another tactic we employ in the writing center; often times we ask the tutees if we can read their work aloud. IN THE WRITING CENTER, WE EMPLY A SIMILAR METHOD AS DORA’S TEACHER; WE OFTEN ASK THE TUTEES IF WE CAN READ THEIR WORK ALOUD. [S-V-O] This way, they can easier identify the mistakes in their writing because as writers and readers, we are better at identification with hearing because we are used to reading other people’s writing and how grammar should sound. BY DOING SO, THE TUTEES HAVE AN EASIER TIME IDENTIFYING THE MISTAKES IN THEIR WRITING BECAUSE WE ARE USED TO READING THE CORRECT GRAMMAR IN OTHER PEOPLE’S WRITING.

            One thing Dora’s teacher does not do, however, is point out Dora’s glaring mistakes. I think there is a fine line between telling the student what to do and making sure to snub out reoccurring errors before they become habit. After Dora was wavering between putting periods at the end of a page or line, she decided to put them at the end of a line again. Making this decision, because no one was there to tell her both forms are wrong, affirmed her belief that periods go at the end of a line when they in fact do not. If Dora’s teacher had told Dora point-blank earlier that periods do not go at the end of a line, Dora wouldn’t have had to make that decision and thus affirm her belief that they go at the end of a line. Doing so made learning the syntactic rules of periods more difficult for her because she was still caught up in the notion that periods have a very specific place where they go every time. While Dora’s teacher was right to let Dora explore a bit when deciding where to place her periods, I do not think she should have allowed Dora to create a steadfast rule for herself, because as a student I remember false student-created rules to be the hardest habits to break.

            Exploring different hypotheses is the reason it took Dora so long to understand period placement. Like most children her age, Dora explored different placement of periods without much instruction on what was absolutely wrong. Dora had to go through all the phases of where to place a period and understand how they are wrong before figuring out where the right place is to put a period. Additionally, Dora also had the added complexity of spelling and forming and separating words from phrases. Dora often became confused and tired of all the work she had to do to become an adequate writer. In the end, her exploration is what helped her to understand the syntactic rules of period placement, but not without a lot of work and dedication.

Compound verb: The students worked on reading in writing in their language arts class.

Compound subject with 2+ personal pronouns: They are renowned architects and builders while he is only a painter.

Compound object of preposition with 2+ personal pronouns: The sadness of the man and woman is heartbreaking for him and her.

Compound direct object with 2+ personal pronouns: I played soccer and tennis when he was a boy.

A sentence using who or whoever: Whoever took my phone is a dead man.

A sentence using whom or whomever: Whom did she want to see?

1 comment:

  1. I didn't see any mistakes in your changes within the piece you had. They either were changed for the better or changed to show how we might have written it as a weak sentence. I also like how you simply put the sentence types at the bottom versus trying to incorporate more sentences into your piece with those specifications. It was a smart idea! Great job!

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